Inspiration exploding
from mysterious soft
depths of Spirit
Convex convolutions of
Soul
Illuminated by brilliance
and long clear vision
Warm seer exuding life
Rich with wide experience
Gentle with wide unbitterness
Transcending the inevitable
sorrow
of today and tomorrow
in inneffable beauty
Yearning in the Cosmic
Sea
Freedom transpiring in
Sacred Humaness
Zusaan Kali Fasteau
San Francisco, 1971

A great teacher, Mr. Garrett inspired and
encouraged many musicians with his profound insight and innovative approach
to the creative process. His passionate intensity and exuberant energy,
and the rich warmth and profound beauty of his voice and music will
be cherished in our hearts forever.

My first Ney teacher was
an afroamerican man from Chicago, Donald "Rafael" Garrett.
He had played with major names such as Rhasaan Roland Kirk, John Coltrane,
Archie Shepp, Sun Ra, the Art Ensemble of Chicago; he was the one, with
Muhal Richard Abrams, who got the idea of A.A.C.M. (Advanced Association
for Creative Music) in Chicago. He
was a friend of the great John Coltrane.
In the Seventies he left the jazz showbusiness and travelled around
the world, going in Africa, Asia and Europe. He also lived a year in
Turkey, wandering with the famous WV van and living in a tent, playing
in the streets with his wife, the poli-instrumentist Zusaan "Kali"
Fasteau.
He himselfwas playing many instruments: double bass, clarinet, flute,
saxophone, and all the ethnic instruments which will become fashionable
later, in the 80ies and 90ies, such as the didjeridoo and the shakuhaci.
In Turkey he learned the Ney from the famous neyzen Aka Gunduz Kutbay.
Then he came to Europe and began to give concerts again, with the highly
experimental duo with his wife, called "The Sea Ensemble".
Then, he settled in Italy, in the town of Pisa where I was living, for
three years, greatly improving the musical scene there, teaching, playing
with, and encouraging, young musicians.
With Rafael, I saw a ney for the first time, and learned to build it
and play.
We became friends and in his last year in Pisa, 1983, we met almost
every day in order to study, practice, play and share philosophical
views about existence and reality.
From and through Rafael, I learned invaluable breathing techniques for
wind instruments, which came from great master musicians such as Coltrane
and Aka Gunduz.
All this happened in the early 80ies.
In 1983 Rafael felt the call of America again, and went back to live
in Chicago. He left the phenomenal side of the veil on August
14, 1989.
Heruka Fabio Pellegrini


photos taken during a concert in Pisa, San Zeno abbey,
1983
|
Donald RAFAEL GARRETT - Biographical Notes:
Rafael Garrett was closely mentored by Sonny
Rollins for two years during the mid-1950's. He also collaborated closely
with Muhal Richard Abrams in the late 1950's and early 1960's during
the founding of Chicago's famous A.A.C.M.
Rafael's early appearances on record include
"Introducing Roland Kirk," Rahsaan's debut album, and "Look to the Red
Star," with Dewey Redman. In 1965 Rafael moved to San Francisco, where
he established a group called The Sound Circus, with drummer Oliver
Johnson and the late multi-reedist Gerald Oshita. While on the West
Coast, he recorded four albums with the great John Coltrane: "Om," "Kulu
Se Mama," "Selflessness," and "Live in Seattle." (Rafael is probably
the only musician who recorded with Coltrane and is not widely known
through this work because the producers in New York didn't get a photo
of Rafael, who lived in California, to put on the albums.)
Rafael performed and recorded with most of the
great jazz artists of the time, including Archie Shepp, Sonny Rollins,
Gene Ammons, Johnny Griffin, Pharoah Sanders, Sonny Simmons, Bobby Hutcherson,
Roy Haynes, Shirley Scott, Sonny Stitt, Joe Henderson, Chris Anderson,
Eddie Harris, Beaver Harris, Clifford Jordan, Letta Mbulu, Frank Wright,
Eddie Moore, Douglas Ewart, Mwata Bowden, Billy Bang, Frank Lowe, Joseph
Jarman, Jean-Luc Ponty, Butch Morris, and too many more to list here.
In 1971 Rafael began his collaboration with Zusaan
Kali Fasteau. In 1972 they set off on their world travels, performing
in Senegal, Congo, Morocco, Haiti, France, Holland, Turkey, Italy, Greece,
Switzerland, Germany, Belgium, Yugoslavia and America. At times, they
also toured with Archie Shepp, and for about a year, the late Glenn
Spearman and Jay Oliver augmented their duet.
Rafael was a brilliant artist, way ahead of his
time.
In addition to his total mastery of the mystery
of music-making, his incredibly beautiful sound on his instruments,
and his very warm, graceful, intense, spirited and high-energy performance
style, he had vast knowledge and expertise in the most advanced cultural
developments. Bamboo flute-making, Tai-Chi Chuan, extended string techniques,
the keys to woodwind vitality, macrobiotic health and cuisine, and Buddhism
were some of these treasures that he shared generously with a great
many people. While Rafael was one of the very best 'walking'(bebop)
and avant-garde arco bassists of all time, he enjoyed stretching the
definitions of music to the max, and played it all with tremendous emotion
and feeling.